From: freddy on
At Gold & Silver Pawn, reality is a two-sided coin, akin to an 1870
Carson City silver dollar offered as collateral for a loan at 10
percent.
'Pawn Stars': Behind the Scenes
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http://www.lasvegasweekly.com/videos/2010/apr/08/779/
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There is the reality that plays out each day on the showroom floor of
Las Vegas’ most famous pawn shop (at 713 Las Vegas Blvd. South, just
north of Charleston, next to Super Bail). This is where the devotees
who watch the Harrison men bicker and dicker on the History Channel
series Pawn Stars anxiously assemble and gawk. The visitors yearn for
a photo with the embattled Chumlee, or a Pawn Stars T-shirt, and maybe
a glimpse of the weather-beaten Coke machine dating to the 1950s that
might be resurrected into a fully operational piece of vintage art.

Outside is a very real cab line and, at the entrance, the type of
velvet ropes you’d see at the entrance of Tao. Inside, a real, burly
security guard barks at the throng to, “Keep this line moving, folks!”
His sidearm, too, is real.

But there is another reality, and it plays out in “the back.” Nothing
in this chaotic space is staged: the line of good-condition Harley-
Davidsons, stacks of carpenters’ tools and belts in fine shape and
even a framed platinum copy of Paul McCartney & Wings’ Greatest Hits
album stored in this cavernous garage. There is simply no room for
this stuff out front.

In the back is where Richard “Old Man” Harrison, Rick “The Spotter”
Harrison, Corey “Big Hoss” Harrison and Austin “Chumlee” Russell steal
away to talk business, decompress and smoke. The floor is strewn with
cigarette butts, a slice of the Harrisons’ reality never depicted on
the Disney-owned History Channel.

In the back, the guys are talking shop. Pawn shop, naturally.

With his father, the irascible Old Man, listening in, Rick Harrison is
stressing about the ongoing expansion of the business. Built in 1935,
the store is busting out of its original space and needs to be at
least doubled in size. Walls are being torn down. Plaster ripped from
the surface dirties the concete floor even further.

“It is expensive to do this,” Harrison says, shaking his head. “It’ll
be $400,000, at least.”

Harrison is fairly buried in this process of growing the building with
the business, but he’s suddenly distracted. His eyes narrow as he
looks toward the area of “the back” opened to the alley behind the
store. Someone is walking in, unannounced and uninvited. “What now?”
reads the look on Harrison’s crinkled face, as he tosses the cigarette
and asks this interloper, “How can I help you?”
Visitors cross Las Vegas Blvd. to take pictures of friends and family
waiting in line at Gold & Silver Pawn.

Photo: Joe Elbert

Visitors cross Las Vegas Blvd. to take pictures of friends and family
waiting in line at Gold & Silver Pawn.

The man is wearing an aqua- and-orange Miami Dolphins jacket and
jeans, and he is lugging a backpack.

A pawn-shop terrorist, maybe? Not exactly.

The stranger, likely in his mid-30s, smiles and reaches out to shake
Harrison’s hand.

“I just wanted to see the face,” he says.

“Okay, gotcha,” Harrison says, and shakes the man’s hand. Then the fan
melts away, having successfully infiltrated “the back.”

“This kind of thing happens,” Harrison says, now grinning. “A lot.”

For the History Channel, unearthing the Harrisons and Gold & Silver
Pawn was like uncovering a gold brick under a pile of cinder blocks.

The show, which debuted July 26, 2009, airs back-to-back half-hour
original episodes Mondays at 7 p.m. and again at 10 p.m.; the third
season launches June 7. The highest-rated show ever for History
Channel, it drew a peak rating of 5.8 million and 5.4 million viewers
for the episodes airing March 15. Probably the most important
statistic is that Pawn Stars helped boost History Channel to its best
month ever in February, beating all broadcast and cable competition in
the critical (for ad sales) demographics of men aged 18-34, and
finished second only to CBS in men aged 18-49.

The series is massively appealing, as measured by TV ratings or just
the nonstop tourist activity at the shop. Why? The men who run the
show have ready explanations.

“We’re really knowledgeable,” Rick Harrison says. “We definitely have
a different type of store. There are three generations who work here.
It’s really eclectic. Think about it: We’re American Chopper one week,
Antiques Roadshow the next week, Pimp My Ride the next. We’re a little
bit of everything.”

Characteristically wasting little verbiage, Old Man Harrison answers
the “why” question with: “Thirty, 25 and eight. How about 63 years
experience between the three of us? [Chain stores] have 18-, 20- or 22-
year-olds running the shop.

“Pardon the expression, but we know what we’re doing.”

Long before reality-TV producers descended on the store, the Harrisons
had realized for years they were sitting on a potential gold (and
silver) mine. For more than a decade Rick Harrison was referring to
the business as “World Famous Gold & Silver Pawn,” after it had been
featured in magazine stories, newspaper articles and even on an
episode of Dave Attell’s Insomniac on Comedy Central (Harrison even
looks a little like Attell).

Even so, Gold & Silver was not exactly an overnight success. Rick
Harrison had sought a pawn license for most of the 1980s, and had been
maddened by a long-established ordinance that no pawn license would be
issued in the city of Las Vegas until its population exceeded 250,000.

“The good-ol’ boys, back in the ’50s, figured we’ve got our pawn
shops, we don’t want any competition,” Harrison says, “so they passed
a law saying that they would issue one more pawn license when there’s
250,000 people in the city of Las Vegas. This was when there was only
20,000 people in Las Vegas and nobody ever thought it would get to
250,000. But lo and behold, in 1988, I was the first to get a
license.”

That was in April 1988, and after a two-year period that would prove
crucial in the lives of all three Harrisons. Corey was just a “Little
Hoss” at the time, but the Old Man was up for a new career after
crapping out in the real-estate market in San Diego. In dogged pursuit
of this mythic pawn license, Rick Harrison called the city each week
for more than two years to check on the official Las Vegas population
count.
A security guard keeps an eye on tourists.

Photo: Joe Elbert

A security guard keeps an eye on tourists.

When the figure finally crept higher than 250,000, he pounced, and
Gold & Silver opened for business in 1989. Today more than 50 pawn
shops operate in Las Vegas. But when producers sought an apt location
for a reality show about that intriguing yet oft-misunderstood
subculture, Gold & Silver stood out.

“They were as billed,” Leftfield Pictures owner Brent Montgomery
recalls. “The knew a lot about history, a lot about Las Vegas, a lot
about the items and told their stories in an interesting way. The
History Channel guys came out of their seats in the meeting when they
saw this. They were like, ‘Wow! A real-life Antiques Roadshow!’”

Montgomery also remembers the family’s casual response to the news
that the show would be picked up by History Channel.

“The Old Man said, ‘Brent, we’re glad you’re here, but leave it how
you left it,’” Montgomery says, laughing. “A lot of people would roll
out the red carpet. Not these guys. It’s like, you can’t bullshit a
bullshitter.”

For the Harrisons, it was time to get to work.

Vital for everyone involved in the project was to depict both the
Harrisons and the pawn business honestly. Some production companies
had sought to reveal the dark side of pawning, hoping (perhaps) to
capture a pipe-wielding Big Hoss putting a Casino-style beat-down on
someone who tried to pawn pyrite as gold.

“They asked for the ‘seedy’ side of the business, and we said, ‘What
are you talking about?’” Rick Harrison recalls, chuckling. “Back-alley
beatings? It doesn’t happen. They were after Taxicab Confessions, and
that is not this world.”

As the Old Man says: “Pawn shops have always been a gray area of
business, with strip joints and pool halls. But you have to understand
that 17-20 percent of people in the United States don’t have an active
checking account or any bank affiliation, and this is a place where
they can get a loan without that bank affiliation. … We’ve educated
the public a lot about what a pawn shop is. We’ve pulled it into
middle America from the gray areas.”

To decipher what is and is not real on Pawn Stars, it’s helpful to
adhere to the business tenet held by all three Harrisons: If it seems
too good to be true, it probably is.

A fair amount of staging happens in the show, no question. A five-
person production crew edits down and brushes up the lengthy
negotiations between the Harrisons and their customers. When a person
brings in a particularly fascinating item—say, a 1750s blunderbuss
from an owner who wants to trade the firearm for an engagement ring—
the customer might be asked to return so the crew can properly capture
the scene.

Early on, 70 customers in a 24-hour period was considered robust
business. Today it’s not uncommon for 1,000 people a day to visit the
store, which has grown in staff from nine to 37 employees since the
series debuted. Now it is primarily a tourist attraction that seems to
serve more as a stage set than an actual business. Corey Harrison says
he spends about half his time, tops, on the pawn business. The rest is
managing his personal appearances, finances—the fame thing.

What is real are the personalities depicted in the show. There is no
acting going on with these guys. “You usually have to feed lines to
your subjects, but not in this case,” Montgomery says. “Rick is
terrific.”

Old Man is a 69-year-old Navy veteran who served in Vietnam. A photo
of him as a young Navy man hangs in the shop. Unbending in his stoic
disposition, he does not suffer fools gladly. You wonder if he suffers
anyone gladly.

The fame has changed his life, making the most mundane daily
activities time-devouring tasks. “It’s taken some getting used to … I
can’t go out for dinner unless I stop for photographs with people,” he
says. “I go to get gas, and I end up taking pictures at the gas
station. It’s changed the lifestyles of all of us a little bit. I’m
not saying I enjoy it. It’s okay. But it hasn’t been that long. I’m
not tired of it yet. I’m sure I will get tired of it after a while.”

Old Man says he does feel fulfillment from fans who have traveled
thousands of miles just for a glimpse of the stars of Pawn Stars.
Checking out the hocked merchandise.

Photo: Joe Elbert

Checking out the hocked merchandise.

“I get everybody telling me, ‘We’re from Texas, we drove 1,200 miles
to see you,’ et cetera, et cetera,” he says, “and I mean over, and
over, and over. Everybody who comes in the store here, they didn’t
come to Vegas because of Vegas. They came to Vegas because of us.”

Rick Harrison is hard-wired to negotiate. Always has been. Even asking
his age leads to a pawn shop-style give-and-take: “I’m 35,” he says,
chuckling.

We’re going to have to go higher than that. “Okay, I’m 45.”

Harrison has established firm ground rules for Pawn Stars—his wife and
6-year-old son will not be in the show, ever. “I’ve seen how being on
TV can screw up a kid,” he says, “and my wife, she doesn’t want to be
in the show, so she’s not in the show.”

Having dropped out of ninth grade to take a job as a busboy at the
Palm Room restaurant at the Stardust, Harrison— “The Spotter”—has been
making deals for cash since he was a teenager.

“I discovered at age 13 that if a spoon had ‘Sterling’ on the back, it
was worth money,” he says. “I’d run around a swap meet and find 20 in
a day, make 75 to 100 bucks by finding silver spoons … yeah, I’ve been
doing this my whole life.”

There is also a genuine affection, apparent even amid the show’s humor
at his expense, between the Harrisons and “Chumlee” Russell, who has
known the family since he was 12. The Harrisons in essence invited the
boyishly tempered Chumlee (the nickname plays off his middle name,
Lee, though he does sort of resemble the character from Tennessee
Tuxedo cartoons) into the family. Both Corey and Chumlee left school
early, in 10th grade, but passed the GED. Now they are rich and famous—
maybe slightly more famous than rich, actually.

Chumlee seems to play it day by day, though his dream is to some day
enter into the music business, ideally as a producer. But for today he
is likely the most-requested figure for photos among Pawn Stars fans,
and jokes that once a fan swooned over his mere presence. “It was like
I was Johnny Depp or something,” he says, grinning at the
improbability.

An inherently private person still wary of public adulation, Corey
“Big Hoss” Harrison allows that he was something of a wild child in
his younger days. Big Hoss, 26, says his bad decisions were not that
rare in his hometown. “I grew up in Las Vegas,” he shrugs, noting that
he drinks only occasionally today and doesn’t use drugs at all. He
works almost constantly, from 7 a.m. until around 9 p.m., dealing in
pawn and non-pawn matters.

There is no urgent financial need for any of the Harrisons to want to
change the landscape; each one clears six figures annually. They were
successful before the show launched, and History Channel is talking of
extending the series for five more seasons.

With the Harrisons, the love always is multilayered.

“I love the Old Man,” Big Hoss says. “But I see him 12 hours a day,
seven days a week sometimes. We’re more like best friends, and we’ve
been that way for about 20 years. But you sometimes have arguments
with your best friend.”

An episode in Season 1 effectively depicts the family dynamic, how the
personalities mesh and occasionally collide.

A customer, a young man, drives up to the store in a 1962 Lincoln
Continental. It’s a venerable car—a 1961 version of this vehicle was
the presidential-issued limousine in which President Kennedy was
assassinated. It’s the rare piece brought to the store that actually
seems to spark genuine interest from the Old Man, who says, “A lot of
people consider it a piece of art.”

Rick loves the car, too. It’s the rare piece that has, regretfully,
taken him out of his analytical business disposition. He gazes at the
car’s flawless, gleaming paint job and listens to its purring engine.

He does not hear, or heed, the words from the Old Man, who tells him,
“The interior is a disaster … it’s going to have to be all redone.
You’re talkin’ beaucoup money.”

Rick buys the car anyway. He takes it to a member of the Pawn Stars
corps of experts, Wally Korhonen of Rusty Nuts Rods and Customs, who
is a whiz with automobile restoration.

Korhonen holds the car for weeks. Finally he calls the Harrisons over
to his shop, shows them the better-than-new interior and describes the
litany of upgrades he and his staff have miraculously performed.

The Old Man shakes his head, attempting to mentally add up the bill.
Rick is, for a change, nervous about the outcome.

The cost for the work is $15,000—$5,500 more than the Harrisons paid
to buy the car in the first place, and more than $10,000 above what
Rick estimated the cost of refurbishing the interior would cost.

“I knew that interior had to be completely redone,” Old Man says to
the camera. But The Spotter asks Korhonen, “What can I get out of this
car?”

“You can get in the neighborhood of about $30,000-$35,000, depending
on the buyer,” Korhonen says. The total investment stands at $24,500.
Luckily, the Pawn Stars made out okay.

Finally, father and son are both happy. But this car is not for sale.
The Old Man is shown driving it back to the shop, and he looks pretty
swift behind the wheel, dressed in his black suit and matching fedora.
The story of the Lincoln’s rescued interior is now part of Pawn Stars
lore, a yarn certain to be spun for years—in the back, of course.
From: LVTravel on


"freddy" <melbedewy1226(a)hotmail.com> wrote in message
news:1b58301f-8092-4ab9-8472-087a64f85aa0(a)12g2000yqi.googlegroups.com...
> At Gold & Silver Pawn, reality is a two-sided coin, akin to an 1870


When are you going to learn not to post either copyrighted material or
things that no one else is interested in.

The link to his site was posted on the 10th for all to see. Your reason on
posting this, if the same for posting LVA copyrighted information, just
doesn't hold water. You want to keep a permanent copy, just cut and paste
the information into a file on your own computer.

From: ItSuckstobeAce* on
On Apr 11, 10:51 am, "LVTravel" <n...(a)nothere.com> wrote:
> "freddy" <melbedewy1...(a)hotmail.com> wrote in message
>
> news:1b58301f-8092-4ab9-8472-087a64f85aa0(a)12g2000yqi.googlegroups.com...
>
> > At Gold & Silver Pawn, reality is a two-sided coin, akin to an 1870
>
> When are you going to learn not to post either copyrighted material orobably another one of them danged
> things that no one else is interested in.
>
> The link to his site was posted on the 10th for all to see.  Your reason on
> posting this, if the same for posting LVA copyrighted information, just
> doesn't hold water.  You want to keep a permanent copy, just cut and paste
> the information into a file on your own computer.

Probably another one of them danged Ace socks.

A*
From: dr. Baf on
On Apr 11, 10:51 am, "LVTravel" <n...(a)nothere.com> wrote:
..
>
> The link to his site was posted on the 10th for all to see.  Your reason on
> posting this, if the same for posting LVA copyrighted information, just
> doesn't hold water.  You want to keep a permanent copy, just cut and paste
> the information into a file on your own computer.

You are addressing Freddy the 13th, what do you expect?

dr. Baf

From: JK Coney on

"freddy" <melbedewy1226(a)hotmail.com> wrote in message
news:1b58301f-8092-4ab9-8472-087a64f85aa0(a)12g2000yqi.googlegroups.com...
At Gold & Silver Pawn, reality is a two-sided coin, akin to an 1870
Carson City silver dollar offered as collateral for a loan at 10
percent.
'Pawn Stars': Behind the Scenes
Share


Thanks Freddy I enjoyed reading all that.

--
JK Sinrod
www.MyConeyIslandMemories.com



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